Abstract
Through an exploratory interrelation of theory with fine art practice, this article sets out to address the role of memory in the transitions and transformations between smooth and striated states. The article constructs a striated, woven formation between virtual and acquired memory, and attentive and inattentive perception, before going on to investigate how its regularity is disrupted through disturbances, slippages and snags.
| Original language | English |
|---|---|
| Pages (from-to) | 89-102 |
| Number of pages | 24 |
| Journal | International Journal of Deleuze Studies |
| Volume | 6 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - Feb 2012 |
| Externally published | Yes |
Keywords
- Bergson
- theory
- art practice
- time-image
- (in)attentive memory