Abstract
At a time when hate crimes related to sexuality and gender identity are increasing and Lesbian, Gay, Bisexual, Transgender and Queer (LGBTQ+) youth are disproportionately more likely to attempt suicide, this critical poetic inquiry revisits our shared history of heterosexism. Specifically, through the methodology of performance autoethnography, I explore some of the processes through which heterosexism, homophobia, and heteronormativity have operated within British culture across my own life course. I reimagine a well-known traditional rhyme with the aspiration that this accessible poem be used by others as a component of their activism and teaching on diversity and LGBTQ+ rights.
| Original language | English |
|---|---|
| Pages (from-to) | 527-528 |
| Number of pages | 21 |
| Journal | Cultural Studies ↔ Critical Methodologies |
| Volume | 23 |
| Issue number | 6 |
| DOIs | |
| Publication status | Published - 27 Jul 2023 |
Keywords
- heteronormativity
- homophobia
- LGBTQ+ experience
- performance authoethnography
- poetry