The past, the present & The Mandalorian

Research output: Contribution to journalArticlepeer-review

1 Citation (Scopus)
73 Downloads (Pure)

Abstract

Drawing on the notion that nostalgia enables a continuity of identity, this article explores how the aesthetics of the Disney+ lynchpin property, The Mandalorian (2019–present), facilitate a return to, and continuity of, masculine heteronormativity in the face of rapid and widespread change within the Star Wars cinematic franchise. Focusing on the excess of style, the reduction in scope and scale of the narrative aesthetics, the role of the star as an agent of the past, the conceptualization of hypermasculine fatherhood and the role of the feminine in the articulation of narrative, this article reveals how The Mandalorian constructs a narrative concerned with fatherhood. Moreover, this article demonstrates how, by appropriating nostalgia in the restorative mode to allow a continuity of idealized masculine identity, The Mandalorian is positioned as the would-be masculine heir to the legacy of the original trilogy.
Original languageEnglish
Pages (from-to)215-229
Number of pages15
JournalThe Australasian Journal of Popular Culture
Volume9
Issue number2
DOIs
Publication statusAccepted/In press - 9 Dec 2020

Fingerprint

Dive into the research topics of 'The past, the present & The Mandalorian'. Together they form a unique fingerprint.

Cite this