Abstract
Divergent Dialogues exploits the fact that, in the studio under close microphone conditions, no two articulations of the same source sound are identical – there are always minute variations in timbre. This piece attempts to use these subtle differences as a vehicle for musical expression. The source recordings used to create the work were: two stones colliding, a rubber string being plucked, a piece of cardboard being creased and a sheet of plastic being twisted. An instrument was designed using MAX/MSP to create gestures from these recorded impulses, allowing them to be intuitively distributed throughout virtual space.
| Original language | English |
|---|---|
| Place of Publication | UK |
| Publisher | Focused Silence |
| Edition | The Parish News, Sound Art Radio in Devon, UK |
| Media of output | CD |
| Publication status | Published - 9 May 2017 |
Keywords
- acousmatic
- improvisation
- electroacoustic
- fixed-medium
- Music
Fingerprint
Dive into the research topics of 'Suite II, Divergent Dialogues: acousmatic composition'. Together they form a unique fingerprint.Research output
- 1 Composition
-
Intuited Architectures: Audio CD
Truslove, G. (Composer), May 2017Research output: Non-textual form › Composition
Prizes
-
International Computer Music Association ICMA Scholarship
Truslove, G. (Recipient), 2009
Prize: Prize (including medals and awards)
Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver