Abstract
In this article, based on my personal experiences as an ethnographer working in Indonesia, Singapore, and Fiji, I provide two case studies of two women, who don’t know each other, who are ‘writing’ Global Gender in Singapore and Indonesia. Both are wives and mothers, the former is a liberal-democratic opposition party activist, while the latter is a Black/Death Metal guitarist in a local, highly-respected underground band. Both are totally committed to their chosen pathways and belief systems and act as social glue within their organizations and subcultures (grounded cosmopolitanism, if you will). Then, I present two mini-case studies that suggest some formidable barriers still exist to rewriting Global Gender. If these barriers are not overcome, people will have to write Global Gender or not-Global Gender within their own little independent silos or rooms with restricted views looking out over dystopian landscapes characterized by surveillance, control, friendlessness, and alienation.
| Original language | English |
|---|---|
| Pages (from-to) | 1-10 |
| Number of pages | 10 |
| Journal | Japan Journal of Research |
| Volume | 6 |
| Issue number | 4 |
| DOIs | |
| Publication status | Published - 30 Jan 2025 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 5 Gender Equality
-
SDG 9 Industry, Innovation, and Infrastructure
-
SDG 10 Reduced Inequalities
-
SDG 11 Sustainable Cities and Communities
-
SDG 16 Peace, Justice and Strong Institutions
Keywords
- global gender
- grounded cosmopolitanism
- Indonesia
- Indonesian metal music
- Singapore politics
Fingerprint
Dive into the research topics of '(Re)writing global gender norms: the role of southern actors - a comment'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver