(Re)writing global gender norms: the role of southern actors - a comment

Kieran Edmond James*

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

Abstract

In this article, based on my personal experiences as an ethnographer working in Indonesia, Singapore, and Fiji, I provide two case studies of two women, who don’t know each other, who are ‘writing’ Global Gender in Singapore and Indonesia. Both are wives and mothers, the former is a liberal-democratic opposition party activist, while the latter is a Black/Death Metal guitarist in a local, highly-respected underground band. Both are totally committed to their chosen pathways and belief systems and act as social glue within their organizations and subcultures (grounded cosmopolitanism, if you will). Then, I present two mini-case studies that suggest some formidable barriers still exist to rewriting Global Gender. If these barriers are not overcome, people will have to write Global Gender or not-Global Gender within their own little independent silos or rooms with restricted views looking out over dystopian landscapes characterized by surveillance, control, friendlessness, and alienation.

Original languageEnglish
Pages (from-to)1-10
Number of pages10
JournalJapan Journal of Research
Volume6
Issue number4
DOIs
Publication statusPublished - 30 Jan 2025

Keywords

  • global gender
  • grounded cosmopolitanism
  • Indonesia
  • Indonesian metal music
  • Singapore politics

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