Abstract
Rap music was born in the black marginalized neighborhoods of American cities. If this kind of music has since been commercialized, globalized, and transformed, the link to the city remains strong in places such as the Twin Cities (Minneapolis/Saint Paul), through the idea of "representing" the "hometown". Discourses and practices of the members of the rap scene reveal how this culture takes its roots in the local context and how it is reshaped at the same time. The specificities of the Twin Cities are also used, particularly in the lyrics, to challenge the image of the city. Thus, rappers strive to demonstrate the legitimacy of the local scene at the national level, in order to "put the Twin Cities on the map of rap in the United States".
Translated title of the contribution | “Representing the city”: urban identities in Twin Cities’ rap music |
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Original language | French |
Article number | 608 |
Journal | CyberGeo: European Journal of Geography |
Volume | 2012 |
DOIs | |
Publication status | Published - 23 May 2012 |
Externally published | Yes |
Keywords
- Rap music
- Music
- City
- Representation
- Place