Abstract
In this article I offer stories and reflections around my experiences of writing songs as a way of doing arts-based and performative research. In particular, I explore how we, as an academic community, respond to each other's critical, reflexive work. I write to stimulate reflection and discussion among readers about how best to—and how not to—respond to these forms of scholarship. I invite readers to consider the effects of their responses not only in terms of potential effects on the researchers themselves, but also on the survival and development of critical arts-based and performative methodologies.
| Original language | English |
|---|---|
| Pages (from-to) | 104-111 |
| Number of pages | 8 |
| Journal | Departures in Critical Qualitative Research |
| Volume | 6 |
| Issue number | 2 |
| Early online date | 6 Jul 2017 |
| DOIs | |
| Publication status | E-pub ahead of print - 6 Jul 2017 |
| Externally published | Yes |
Keywords
- arts-based research
- criticism
- personal narrative
- performative research
- songwriting