Abstract
Graeme Truslove’s musical output so far has been divided between the opposing spheres of fixed-medium electroacoustic composition and improvised performance. All of the works presented in Intuited Architectures focus on integrating these conflicting extremes in various ways. Throughout their development, the creative processes employed shifted from the sculptural to the performative – from the creation of sonic mosaics, constructed from the careful placement of individual sonic impulses, to the recording and manipulation of performances on self-devised digital instruments. This shift arose initially through attempts to analyse and automate laborious micro-level techniques, however as the possibility to interact with these techniques in real-time emerged, so too did a number of unforeseen expressive possibilities. Montages became performances, which in turn became montages again. Central to all of the compositions is a preoccupation with musical time scales, ranging from the fabrication of synthetic timbres, via these performative-algorithmic approaches, through to their integration within larger-scale temporal strategies.
| Original language | English |
|---|---|
| Place of Publication | Portugal |
| Publisher | Crónica |
| Edition | 130 |
| Media of output | CD |
| Publication status | Published - May 2017 |
Keywords
- acousmatic
- electroacoustic
- composition
- improvisation
- audio
- Compact disc
- Music
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Dive into the research topics of 'Intuited Architectures: Audio CD'. Together they form a unique fingerprint.Press/Media
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Low and Dangerous: Sound Festival Scotland
Truslove, G., 21 Oct 2021Research output: Other contribution › peer-review
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Strata: for double bass and fixed medium
Truslove, G. (Composer), 16 Jan 2019Research output: Non-textual form › Composition
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Elements: acousmatic composition
Truslove, G. (Composer), 15 May 2017Research output: Non-textual form › Composition
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