Image theatre: transforming perspectives through embodied responses to refugee drawings in Yesterday/Today/Tomorrow (Traceability is Credibility) at the 2017 Venice Biennale

Henry Bell; Bryan McCormack

doi:10.1080/13569783.2018.1439372

Image theatre: transforming perspectives through embodied responses to refugee drawings in Yesterday/Today/Tomorrow (Traceability is Credibility) at the 2017 Venice Biennale

Henry Bell^*, Bryan McCormack

^*Corresponding author for this work

Research output: Contribution to journal › Article › peer-review

3 Downloads (Pure)

Abstract

This paper documents the drawings, installations, video works, and performances that were produced as part of Bryan McCormack’s Yesterday/Today/Tomorrow (Traceability is Credibility) conceptual work at the 2017 Venice Biennale in collaboration with Henry Bell and undergraduate students at Sheffield Hallam University. It also includes two videos: the first of which was part of McCormack’s installation, and illustrates the application of performance methods inspired by Augusto Boal’s Image Theatre techniques. The second video gives a brief impression of how these methods functioned in a live performance in Venice in May 2017.

Original language	English
Pages (from-to)	298-319
Number of pages	22
Journal	Research in Drama Education: The Journal of Applied Theatre and Performance
Volume	23
Issue number	2
Early online date	10 Apr 2018
DOIs	https://doi.org/10.1080/13569783.2018.1439372
Publication status	E-pub ahead of print - 10 Apr 2018
Externally published	Yes

Keywords

image theatre
Bryan McCormack
Yesterday/Today/Tomorrow
migrant crisis
interactive
Venice
Italy

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

Access to Document

10.1080/13569783.2018.1439372

2018 02 06 Bell et al Image acceptedAccepted author manuscript, 137 KB

http://shura.shu.ac.uk/id/eprint/18949

2 Participation in workshop, seminar, course
1 Types of Public engagement and outreach - Media article or participation

Yesterday/Today/Tomorrow
Henry Bell (Participant)
7 Jul 2018
Activity: Other › Types of Public engagement and outreach - Media article or participation
yesterday/today/tomorrow: Traceability is Credability
Henry Bell (Participant)
13 May 2017 → 13 Aug 2017
Activity: Participating in or organising an event › Participation in workshop, seminar, course
Experiment #1 & #2 Performance
Henry Bell (Participant)
18 Dec 2017 → 13 Jan 2018
Activity: Participating in or organising an event › Participation in workshop, seminar, course

Cite this

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title = "Image theatre: transforming perspectives through embodied responses to refugee drawings in Yesterday/Today/Tomorrow (Traceability is Credibility) at the 2017 Venice Biennale",

abstract = "This paper documents the drawings, installations, video works, and performances that were produced as part of Bryan McCormack{\textquoteright}s Yesterday/Today/Tomorrow (Traceability is Credibility) conceptual work at the 2017 Venice Biennale in collaboration with Henry Bell and undergraduate students at Sheffield Hallam University. It also includes two videos: the first of which was part of McCormack{\textquoteright}s installation, and illustrates the application of performance methods inspired by Augusto Boal{\textquoteright}s Image Theatre techniques. The second video gives a brief impression of how these methods functioned in a live performance in Venice in May 2017.",

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author = "Henry Bell and Bryan McCormack",

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language = "English",

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Image theatre : transforming perspectives through embodied responses to refugee drawings in Yesterday/Today/Tomorrow (Traceability is Credibility) at the 2017 Venice Biennale. / Bell, Henry; McCormack, Bryan.

In: Research in Drama Education: The Journal of Applied Theatre and Performance, Vol. 23, No. 2, 10.04.2018, p. 298-319.

Research output: Contribution to journal › Article › peer-review

TY - JOUR

T1 - Image theatre

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AU - Bell, Henry

AU - McCormack, Bryan

PY - 2018/4/10

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N2 - This paper documents the drawings, installations, video works, and performances that were produced as part of Bryan McCormack’s Yesterday/Today/Tomorrow (Traceability is Credibility) conceptual work at the 2017 Venice Biennale in collaboration with Henry Bell and undergraduate students at Sheffield Hallam University. It also includes two videos: the first of which was part of McCormack’s installation, and illustrates the application of performance methods inspired by Augusto Boal’s Image Theatre techniques. The second video gives a brief impression of how these methods functioned in a live performance in Venice in May 2017.

AB - This paper documents the drawings, installations, video works, and performances that were produced as part of Bryan McCormack’s Yesterday/Today/Tomorrow (Traceability is Credibility) conceptual work at the 2017 Venice Biennale in collaboration with Henry Bell and undergraduate students at Sheffield Hallam University. It also includes two videos: the first of which was part of McCormack’s installation, and illustrates the application of performance methods inspired by Augusto Boal’s Image Theatre techniques. The second video gives a brief impression of how these methods functioned in a live performance in Venice in May 2017.

KW - image theatre

KW - Bryan McCormack

KW - Yesterday/Today/Tomorrow

KW - migrant crisis

KW - interactive

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Image theatre: transforming perspectives through embodied responses to refugee drawings in Yesterday/Today/Tomorrow (Traceability is Credibility) at the 2017 Venice Biennale

Abstract

Keywords

UN SDGs

Access to Document

Fingerprint

Activities

Yesterday/Today/Tomorrow

yesterday/today/tomorrow: Traceability is Credability

Experiment #1 & #2 Performance

Cite this