Activities per year
This paper documents the drawings, installations, video works, and performances that were produced as part of Bryan McCormack’s Yesterday/Today/Tomorrow (Traceability is Credibility) conceptual work at the 2017 Venice Biennale in collaboration with Henry Bell and undergraduate students at Sheffield Hallam University. It also includes two videos: the first of which was part of McCormack’s installation, and illustrates the application of performance methods inspired by Augusto Boal’s Image Theatre techniques. The second video gives a brief impression of how these methods functioned in a live performance in Venice in May 2017.
|Number of pages||22|
|Journal||Research in Drama Education: The Journal of Applied Theatre and Performance|
|Early online date||10 Apr 2018|
|Publication status||E-pub ahead of print - 10 Apr 2018|
- image theatre
- Bryan McCormack
- migrant crisis
FingerprintDive into the research topics of 'Image theatre: transforming perspectives through embodied responses to refugee drawings in <i>Yesterday/Today/Tomorrow (Traceability is Credibility)</i> at the 2017 Venice Biennale'. Together they form a unique fingerprint.
Henry Bell (Participant)13 May 2017 → 13 Aug 2017
Activity: Participating in or organising an event › Participation in workshop, seminar, course