Activities per year
Abstract
This paper documents the drawings, installations, video works, and performances that were produced as part of Bryan McCormack’s Yesterday/Today/Tomorrow (Traceability is Credibility) conceptual work at the 2017 Venice Biennale in collaboration with Henry Bell and undergraduate students at Sheffield Hallam University. It also includes two videos: the first of which was part of McCormack’s installation, and illustrates the application of performance methods inspired by Augusto Boal’s Image Theatre techniques. The second video gives a brief impression of how these methods functioned in a live performance in Venice in May 2017.
| Original language | English |
|---|---|
| Pages (from-to) | 298-319 |
| Number of pages | 22 |
| Journal | Research in Drama Education: The Journal of Applied Theatre and Performance |
| Volume | 23 |
| Issue number | 2 |
| Early online date | 10 Apr 2018 |
| DOIs | |
| Publication status | E-pub ahead of print - 10 Apr 2018 |
| Externally published | Yes |
Keywords
- image theatre
- Bryan McCormack
- Yesterday/Today/Tomorrow
- migrant crisis
- interactive
- Venice
- Italy
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Dive into the research topics of 'Image theatre: transforming perspectives through embodied responses to refugee drawings in Yesterday/Today/Tomorrow (Traceability is Credibility) at the 2017 Venice Biennale'. Together they form a unique fingerprint.Activities
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Yesterday/Today/Tomorrow
Bell, H. (Participant)
7 Jul 2018Activity: Other › Types of Public engagement and outreach - Media article or participation
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Experiment #1 & #2 Performance
Bell, H. (Participant)
18 Dec 2017 → 13 Jan 2018Activity: Participating in or organising an event › Participation in workshop, seminar, course
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yesterday/today/tomorrow: Traceability is Credability
Bell, H. (Participant)
13 May 2017 → 13 Aug 2017Activity: Participating in or organising an event › Participation in workshop, seminar, course