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Forever underground, forever black: the Indonesian death metal scene as mythscape and the Ujung Berung death metal scene as myth

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Abstract

Because it has been integral to the history and marketing of Bandung Death Metal, the satellite-town of Ujung Berung aka Ujungbronx, in Bandung’s outer southeastern suburbs, has become a revered and romanticized myth throughout all of Indonesia’s underground scenes. The Indonesian underground as a whole constitutes the mythscape or page where alternative myths are promulgated, expanded, debated, opposed, or reimagined. While the governing myth of Ujung Berung scene as paramount is widely accepted in West Java province, it is accepted somewhat reluctantly, and with mild criticism, in the East Javanese and Jogjakarta scenes. However, in Surabaya, there is a recognition that the moment when the governing myth could have been overthrown, at least within East Java, is long past. History belongs to the victors.
Original languageEnglish
Pages (from-to)33053
Number of pages21
JournalPopular Music History
Volume15
Issue number1
DOIs
Publication statusPublished - 28 Nov 2023

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

  1. SDG 5 - Gender Equality
    SDG 5 Gender Equality
  2. SDG 12 - Responsible Consumption and Production
    SDG 12 Responsible Consumption and Production
  3. SDG 16 - Peace, Justice and Strong Institutions
    SDG 16 Peace, Justice and Strong Institutions
  4. SDG 17 - Partnerships for the Goals
    SDG 17 Partnerships for the Goals

Keywords

  • Bandung death metal
  • governing myth
  • Indonesian popular music
  • industrialization
  • mythscape
  • Ujung Berung

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