“Film!”—The Arab Revolutions and the filmmaker as amanuensis

In her recent memoir of the Egyptian revolution Ahdaf Soueif records how one day a woman came up to her on Tahrir Square and started instructing her on how to write down the “national epic” unfolding around them. Taking Soueif’s text as an allegory of the relationship between the individual and the people, I explore how an analogous process is enacted in one particular video shot in Cairo on January 25, 2011. Taken together, these two “texts” suggest the emergence of a distinctively revolutionary aesthetic, which is also a politics of obedience.