Abstract
A cowboy can be defined as “an unscrupulous tradesman” and a pirate can be “a person or organization broadcasting without official authorisation.” Looking through a subversive lens, I see both cowboys and pirates operating within the mental health care professions. Cowboys can be validated, authorized, rewarded, and empowered through the machinery of evidence-based medicine. Pirates may be criticized, restricted, marginalized, or dismissed by the same machinery. Through a layered performance of song and spoken word, I explore some of the personal consequences of all this for those living—and suffering—within differing paradigms of health care.
Original language | English |
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Pages (from-to) | 175-177 |
Number of pages | 3 |
Journal | Cultural Studies ↔ Critical Methodologies |
Volume | 21 |
Issue number | 2 |
Early online date | 4 Nov 2020 |
DOIs | |
Publication status | Published - 1 Apr 2021 |
Externally published | Yes |
Keywords
- mental health
- performance autoethnography
- recovery
- song
- trauma