Original language | English |
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Title of host publication | Archives of Women Artists, Research and Exhibitions |
Place of Publication | Paris |
Publisher | Archives of Women Artists, Research and Exhibitions |
Number of pages | 1 |
Publication status | Published - 1 Jul 2020 |
Abstract
Bulgarian visual artist, performer, curator, researcher and writer.
Boryana Rossa’s work is interdisciplinary, political and socially conscious, merging electronic arts, film, video, photography and performance. Trained under the Socialist tradition of monumental public art and large-scale mural painting, she graduated from the National Academy of Arts, Bulgaria in 1997. With no public art commissions under the 1990s socio-political transition in Bulgaria, B. Rossa turned to the medium of photography and started experimenting with video as well as her own body through performance.
Boryana Rossa’s work is interdisciplinary, political and socially conscious, merging electronic arts, film, video, photography and performance. Trained under the Socialist tradition of monumental public art and large-scale mural painting, she graduated from the National Academy of Arts, Bulgaria in 1997. With no public art commissions under the 1990s socio-political transition in Bulgaria, B. Rossa turned to the medium of photography and started experimenting with video as well as her own body through performance.
Keywords
- gender politics
- visual arts
- performance art
- identity construction
Fingerprint
Dive into the research topics of 'Boryana Rossa: 1972 Sofia, Bulgaria'. Together they form a unique fingerprint.Research output
- 1 Chapter
-
Sexing the Border, Literally? Utopian Tactics of Dealings With/out Institutions
Kosmala, K., 2014, Sexing the Border: Gender, Art and New Media in Central and Eastern Europe. Cambridge Scholars Publishing, p. 203-230Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review