A verisimilitude of pessimism: Scottish prisoner mug-shots, 1883-1927

Research output: Contribution to journalArticle

Abstract

This paper examines the stigmatisation of identity. Historic prisoner mug shots taken in two Scottish prisons during the late Victorian period constitute a part of archival base of this study from which generalisations to the contemporary world are conjectured. Cultural criminologists propose crime is normatively framed (Hayward and Presdee 2010). Arntfield (2016) ventures the claim that mug shots belong with a larger symbolism within a discourse of crime and culture. This article examines the scientific and cultural environs within which a dangerous semiotic of the mug shot image originated. The ‘gaze’ of the mug shot, it is argued, suffers from class stigmata circulating elite Victorian scientific laboratories and drawing-rooms. Criminal anthropology, it is argued, constructed visual sources as tools for reaching certainty, but in this project generated processes of social closure (Brubaker, 2004). Morphological deviations from the norm defined the ‘criminal body’.
Original languageEnglish
Pages (from-to)172-185
Number of pages14
JournalVisual Studies
Volume33
Issue number2
Early online date30 Aug 2018
DOIs
Publication statusE-pub ahead of print - 30 Aug 2018

Fingerprint

pessimism
prisoner
offense
stigmatization
symbolism
semiotics
correctional institution
anthropology
elite
discourse
Pessimism
Verisimilitude
Mugs
Prisoners
Crime

Cite this

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abstract = "This paper examines the stigmatisation of identity. Historic prisoner mug shots taken in two Scottish prisons during the late Victorian period constitute a part of archival base of this study from which generalisations to the contemporary world are conjectured. Cultural criminologists propose crime is normatively framed (Hayward and Presdee 2010). Arntfield (2016) ventures the claim that mug shots belong with a larger symbolism within a discourse of crime and culture. This article examines the scientific and cultural environs within which a dangerous semiotic of the mug shot image originated. The ‘gaze’ of the mug shot, it is argued, suffers from class stigmata circulating elite Victorian scientific laboratories and drawing-rooms. Criminal anthropology, it is argued, constructed visual sources as tools for reaching certainty, but in this project generated processes of social closure (Brubaker, 2004). Morphological deviations from the norm defined the ‘criminal body’.",
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A verisimilitude of pessimism : Scottish prisoner mug-shots, 1883-1927. / Holligan, Christopher.

In: Visual Studies, Vol. 33, No. 2, 30.08.2018, p. 172-185.

Research output: Contribution to journalArticle

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