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Personal profile

Overview

Dr Collins' research sits at the interface between performance, law and representations of postcolonial identity. He is particularly interested in performed heritage, intangible cultural heritage, and the influence and presence of folklore in contemporary performance.

Dr Collins has a keen interest in West African theatre, particularly Ghanaian, which he has been a student of since first visiting the country in 2000.  

His PhD, awarded by the University of Glasgow in 2015, examined the protection of folklore through copyright in Ghana and his research continues to examine the interaction between folklore, copyright and cultural production, both in Ghana and the UK.

Area of academic expertise - outline

Dr Stephen Collins is a lecturer in Performance. Prior to joing the University in September 2016, he lectured in Performance at the University of the Highlands and Islands. He also taught on the Theatre Studies and Law undergarduate degrees at the Universty of Glasgow from where he gained a PhD from the School of Law in 2015.

Dr Collins' research is cross-disciplinary and is focussed on the relationship between copyright law, cultural heritage and performance. He has a particular expertise in Ghanaian theatre and copyright law.

Steve is an member of Careed, the University's centre of African studies.

Current research activities

Dr Collins' research is currently following two strands:

  • the copyrighting of folklore and its implications on the performance industry in Ghana,
  • the cultural and legal status of folklore in Scotland.

These two areas are interlinked and branch out into several conceptual areas, including:

The status of folklore within empire building,

  • The status of folklore within independence movements,
  • The conceptualising of folklore as a legal and cultural catagory,
  • The interplay between creativity and copyright law,
  • The influence of folklore on contemporary performance movements.

Desired research direction

Since completing his PhD, Dr Collins has continued to research into the impact and implications of the copyrighting of folklore in Ghana. He has also begun to move his research focus to Scotland to see what lessons can be learned from the experience of legislators and theatre practitioners in Ghana that might enable a clearer understanding of the legal and cultural status of folklore here.

He is particularly interested in continuing to pursue a multi-disciplinary approach to my future research and would welcome collaboration in this area.

External positions

Board Member, Ignite Theatre Company, Glasgow

15 Jun 2009 → …

Board Member, Act for Change, Ghana

1 Sep 2007 → …

Keywords

  • NX Arts in general
  • Theatre
  • Performance
  • Playwriting
  • Anansegoro
  • Abibigoro
  • K Law (General)
  • Copyright
  • International
  • WIPO
  • UNESCO
  • GR Folklore
  • Postcolonialism
  • Cultural policy
  • Ghana
  • Colonialism
  • Intangible Cultural Heritage

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