20122020

Research output per year

If you made any changes in Pure these will be visible here soon.

Research Output

  • 4 Chapter
  • 1 Article
  • 1 Book/Film/Article review
  • 1 Doctoral Thesis

Digital piracy, new media and consumer choice

Tessler, H. & Forbes, K., 23 May 2018, Digital Piracy: A Global, Multidisciplinary Account. Brown, S. & Holt, T. (eds.). Routledge, p. 37-51 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Glasgow as a live-music city: an analysis of the "legendary" Apollo venue and its audience

Forbes, K., Oct 2012, In : Social Semiotics. 22, 5, p. 605-621 17 p.

Research output: Contribution to journalArticle

2 Citations (Scopus)

Live Music

Forbes, K., 2015, Music Entrepreneurship. Dumbreck, A. & McPherson, G. (eds.). Bloomsbury Publishing plc, p. 113-140 27 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Music, memory and memoir

Forbes, K., 1 Apr 2020, In : Popular Music. 39, 1, p. 163-165 3 p.

Research output: Contribution to journalBook/Film/Article review

Open Access
File
9 Downloads (Pure)

'The sound of the future is here today': the market for post-rock within the traditional small music festival landscape

Forbes, K., 13 Dec 2018, Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology. Mazierska, E., Gillon, L. & Rigg, T. (eds.). London: Bloomsbury Publishing plc, p. 69-92 14 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

"You Had To Be There": Memories of the Glasgow Apollo Audience

Forbes, K., 2014, Sites of popular music heritage: memories, histories, places. Cohen, S., Knifton, R., Leonard, M. & Roberts, L. (eds.). New York: Routledge, p. 143-159 17 p. (Routledge Studies in Popular Music).

Research output: Chapter in Book/Report/Conference proceedingChapter

1 Citation (Scopus)
Open Access