No photo of Holly Tessler

Willing to speak to media

20142018
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Personal profile

Area of academic expertise - outline

Music industries, music industries as creative industries, the Beatles, Garage Rock/Medway Sound, music branding, cultural branding, interactive audio, popular music culture, popular music history

 

10 years professional music radio programming experience in US Top-5 market sector (Philadelphia, New York)

 

Senior Fellow of the Higher Education Academy

Current research activities

Tessler, H., Forthcoming, 2016.  ‘Let It Be’?  Exploring the Beatles Grey Market, 1970-1995.  In: Collins, M. and McGrath, J., eds.  The Beatles and their Audiences.  Sheffield: Equinox.  In press.  (Reprint).

 

Tessler, H., 2016.  Back In Black: Re-Thinking Core Competencies of The Recorded Music Sector.  In: Wikstrom, P. and DeFillippi, R., eds. Business Innovation and Disruption in the Music Industries.  Northampton, MA: Edward Elgar Publishing, 33-52.

 

Tessler, H., and Flynn, M., 2015.  From DIY to D2F: Contextualising Entrepreneurship in the Music Industries.  In: Dumbreck, A. and McPherson, G., eds.  Music Entrepreneurship.  London: Bloomsbury,  47-74.

 

Tessler, H., 2015.  Let It Be? Exploring the Beatles Grey Market, 1970-1995.  Popular Music History, 9(1), 48-63. (Reprinted in Collins and McGrath, above).

 

Collins, K., Kapralos, B., and Tessler, H., eds., 2014. The Oxford Handbook of Interactive Audio.  New York: Oxford University Press. 

Desired research direction

Beatles industries, Beatles tourism, music in branding/marketing/advertising, music sync, music industries as creative industries, Garage Rock, Medway towns music history research

Target collaborative organisations

Media buying companies, sync/ad agencies, Beatles companies, Liverpool City Council, Medway towns government agencies/universities/archives.

External positions

External Examiner, MA Beatles, Popular Music & Society, Liverpool Hope University

1 Sep 201430 Sep 2017

Keywords

  • M Music
  • Beatles
  • Garage Rock
  • Music Branding
  • Music Industries
  • Creative Industries
  • Popular Culture
  • Popular Music
  • Cultural Branding

Fingerprint Fingerprint is based on mining the text of the person's scientific documents to create an index of weighted terms, which defines the key subjects of each individual researcher.

assets Social Sciences
music Social Sciences
market Social Sciences
intellectual property Social Sciences
Music Business & Economics
Group Social Sciences
Sound Arts & Humanities
Music Industry Arts & Humanities

Network Recent external collaboration on country level. Dive into details by clicking on the dots.

Research Output 2014 2018

Digital piracy, new media and consumer choice

Tessler, H. & Forbes, K. 23 May 2018 Digital Piracy: A Global, Multidisciplinary Account. Brown, S. & Holt, T. (eds.). Routledge, p. 37-51 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

Lost in The Supermarket?: the evolving role of popular music and popular music products in the Immersive economy

Tessler, H. 15 Mar 2018 Creative Industries Global Conference : Libro de Actas/Proceeding Book. Tur-Viñes, V., García-Medina, I. & Hidalgo-Marí, T. (eds.). University of Alicante, Spain: Digital World Collection of Mediterranean Journal of Communication, Vol. 12, p. 41-47 7 p.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Open Access
Supermarkets
Music
Branding
Lifestyle
Interaction

Back in black: rethinking core competencies of the recorded music industry

Tessler, H. 29 Jan 2016 Business Innovation and Disruption in the Music Industry. Wikström, P. & DeFillippi, R. (eds.). Cheltenham, UK: Edward Elgar Publishing, p. 33-52

Research output: Chapter in Book/Report/Conference proceedingChapter

Music industry
Music
Core competencies
Creative industries
Industry

From DIY to D2F: Contextualising entrepreneurship for the artist/musician

Tessler, H. & Flynn, M. 17 Dec 2015 Music Entrepreneurship. Dumbreck, A. & McPherson, G. (eds.). Bloomsbury Publishing plc

Research output: Chapter in Book/Report/Conference proceedingChapter

Let it be?: Exploring The Beatles grey market, 1970–1995

Tessler, H. 2014 In : Popular Music History.

Research output: Contribution to journalArticle

Open Access
assets
music
market
intellectual property
homicide

Activities 2011 2017

  • 9 Participation in conference
  • 2 Participation in workshop, seminar, course

Creative Industries Global Conference (CIGC)

Tessler, H. (Invited speaker)
30 Nov 20171 Dec 2017

Activity: Participation in conference

Punk Now! The 2nd Annual Punk Scholars Network Conference

Tessler, H. (Invited speaker)
Oct 2015

Activity: Participation in conference

Popular Music Pedagogy Workshop

Tessler, H. (Invited speaker)
Jan 2014

Activity: Participation in workshop, seminar, course

PopLife: The Value of Popular Music in the Twenty-First Century

Tessler, H. (Invited speaker)
Jun 2014

Activity: Participation in workshop, seminar, course

The Business of the Beatles

Tessler, H. (Invited speaker)
Jun 2014

Activity: Participation in conference

Profiles

Scotland
Industry
Mentors
Construction Industry
Music