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Personal profile

Overview

 

Research Areas : cinema aesthetics, British Cinema, film theory.

Areas of Research Expertise : Andrew has worked as a professional film and television picture editor, writer and director, and he brings this experience of practical creativity to his research interests in cinema aesthetics, philosophy and politics. Andrew works with student filmmakers by providing them with opportunities to think critically about their creative practice across a range of modules in cinema aesthetics, creativity and British cinema.  

Current Research Activities : Andrew is conducting doctoral research at the University of Glasgow, under the supervision of Professor David Martin-Jones. The research concerns the impact of neoliberalism on British cinema aesthetics and considers a variety of cinematic creative responses to socio-economic transformation. The research sits in the scholarly tradition of film philosophy and Andrew contributes regularly to on-line journal Film-Philosophy's activities by presenting academic papers at its conferences and providing peer reviews for submitted articles.

Desired Research Direction : Andrew hopes to successfully complete his PhD (as a part-time student) by 2021 and develop research activity linking cinema aesthetics to political economy. He plans to continue his work with filmmaking students and is interested in further developing effective critical pedagogy for creative practitioners.

Other areas of expertise available for knowledge exchange:Andrew has experience of arts documentary  production and would be interested in creative collaboration in this area.

 

Fingerprint Dive into the research topics where Andrew Jarvis is active. These topic labels come from the works of this person. Together they form a unique fingerprint.

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British Cinema Arts & Humanities
Neoliberalism Arts & Humanities
Cartography Arts & Humanities
Spring Arts & Humanities
Scenery Arts & Humanities
Poetics Arts & Humanities
Screams Arts & Humanities
Endurance Arts & Humanities

Research Output 2012 2019

Dark tourism: folk horror and national identity in the films of Ben Wheatley

Jarvis, A., 4 Sep 2019.

Research output: Contribution to conferencePaper

Tourism
Folk
National Identity
England
Demons

Enjoying endurance: the neoliberal chronotope and British cinema

Jarvis, A., 3 May 2017, p. 25-26. 2 p.

Research output: Contribution to conferencePaper

Endurance
Chronotope
Neoliberalism
British Cinema
Space-time

Hex contagion: weird realism in The Falling (Morley, 2014)

Jarvis, A., 4 Jul 2017.

Research output: Contribution to conferencePaper

Trouble breathing: neoliberal poetics in ’71 (Yann Demange, 2014)

Jarvis, A., 6 Jul 2016, p. 37-37. 1 p.

Research output: Contribution to conferencePaper

Poetics
Chase
Belfast
Estate
Pleasure

The scream itself: evaluating formlessness and formal innovation in recent British films

Jarvis, A., 20 Jul 2015.

Research output: Contribution to conferencePaper

Screams
Innovation
Sound
Materiality
Creativity